A mountain of used clothes appeared in Chile’s desert. Then it went up in flames.
Julia Shipley & Muriel Alarcón
On the morning of June 12, 2022, Ángela Astudillo, then a law student in her mid-20s, grabbed her water bottle and hopped into her red Nissan Juke. The co-founder of Dress Desert, or Desierto Vestido, a textile recycling advocacy nonprofit, and the daughter of tree farmers, Astudillo lives in a gated apartment complex in Alto Hospicio, a dusty city at the edge of the Atacama Desert in northern Chile, with her husband, daughter, bunny, and three aquatic turtles.
Exiting the compound, Astudillo pinched the wheel, pulled over next to a car on the side of the road, and greeted Bárbara Pino, a fashion professor, and three of her students, who were waiting inside.
They headed toward a mountain of sand known as El Paso de la Mula. Less than a mile from her home, squinting into the distance, Astudillo saw a thread of smoke rising from its direction. With her in the lead, the two vehicles caravanned toward the dune, the site of the second-largest clothes pile in the world.
As they got closer to El Paso de La Mula, the thin trail of smoke had expanded into a huge black cloud. Astudillo stopped the car and texted the academics behind her.
It looks like it’s on fire. Hopefully, it’s not there. 🙁 🙁 🙁
She then dialed them directly and asked, “Do you still want to go?”
Pino, director of Santiago’s Fashion System Observatory at Universidad Diego Portales, had planned this trip for months. Astudillo had volunteered to be their guide. The mound of discarded fabric in the middle of the Atacama weighed an estimated 11,000 to 59,000 tons, equivalent to one or two times the Brooklyn Bridge.
By the time the team reached the gates of El Paso de la Mula, more than half of the clothes pile was on fire. Smoke obscured everything, hanging like an opaque black curtain. Municipal authorities turned the group away, forbidding them to stay on the premises. But Astudillo knew the landscape, so she directed the team to the dune’s far side, where access was still unimpeded.
There, the students surveyed the inferno. It was “like a war,” Pino said. She felt waves of heat. Black smoke unspooled from the burning clothes. The air was dense and hard to breathe. Smoke coated the back of their throats and clogged their nostrils with the acrid smell of melting plastic. They covered their faces, trying not to breathe it in. Then the group heard a series of loud pops as mini explosions burst from within the vast expanse of burning garments.
Despite the danger, Pino and her students rummaged, pulling out specimens to examine from among unburned portions of the pile. On prior visits to the clothes dump, Astudillo had uncovered clothing produced by the world’s most well-known brands: Nautica, Adidas, Wrangler, Old Navy, H&M, Ralph Lauren, Tommy Hilfiger, Forever 21, Zara, Banana Republic. Store tags still dangled from many of her findings. The clothes had come to the Atacama from Europe, the United States, Korea, and Japan. Now, as Astudillo began taking pictures and uploading them to Instagram, Pino wandered the mound, horrified and fascinated by the grotesque volume and variety of apparel: ski jackets, ball gowns, bathing suits. She plucked out a rhinestone-encrusted platform stiletto in perfect condition. She crouched to search for its match, but the wind was getting stronger. If it shifted, the team realized, they’d be trapped in the spreading fire.
For 14 years, no rain has fallen in Alto Hospicio or the surrounding Atacama Desert region. Those dry conditions, coupled with the nonbiodegradable, predominantly synthetic, petroleum-derived fibers that modern clothes are made with, meant that the pile never shrank. Instead, for more than two decades, it grew — metastasized — with every discarded, imported item that was added.
In 2021, six months prior to the fire, a photographer from Agence France Presse, Martín Bernetti, captured a bird’s-eye image of this sprawling mound of apparel, essentially an oil slick, strewn across the edge of the Atacama desert.
The aerial image was picked up by news outlets across the globe, from the front page of the New York Post to the BBC, and continues to circulate today. But the mountain of clothes depicted by that 2021 drone photo is utterly gone. As Astudillo, Pino, and the three students witnessed, and unwittingly tasted: The blaze tore through the pile, throwing black plumes of toxic ash into the air.
The town of Alto Hospicio sits on a cliff above the Pacific Ocean, a bedroom community for the seaside vacation city of Iquique below. Imagine if Atlantic City in New Jersey were simultaneously hemmed in and backed by a high Nevada plateau, and if the two locales were connected by a two-lane switchback highway.
Each day in Iquique’s port, giant cranes pluck containers full of discarded clothing from the decks of ships and deposit them onto flatbed trucks. No one really knows exactly how much clothing passes through the port every year; estimates range from 60,000 to 44 million tons. Next, they head to the nearby Free Trade Zone, known locally as “Zofri,” where trailers back into the warehouses of 52 used-clothes importers and forklift operators transfer sealed bales of clothing, or fardos, inside.
Chile is the biggest importer of secondhand clothing in South America, and between 2020 and 2021 it was the fastest-growing importer of used clothing in the world. The port of Iquique is an established tax-free zone, incentivizing this booming industry of castaway textiles.
From Zofri, bales of clothing are sold, uninspected, to merchants betting that at least some of the items inside are sales-worthy. “When you buy, you are buying with your eyes closed,” one former merchant said. Sometimes 80 percent of the garments in a bale are usable. Sometimes the opposite is true. Because bales are so cheap, however, most merchants need only sell 40 percent to turn a profit.
According to the global environmental advocacy group Ekō (formerly known as SumofUS), an estimated 85 percent of the used clothing imported into Iquique remains unsold. Chilean federal law states it’s illegal to dispose of textiles.
Considered Iquique’s backyard, Alto Hospicio is one of the poorest cities in Chile, widely known as a place to abandon pets and dump trash. In the late 1990s and early 2000s, the small desert town is where more than a dozen teenage girls mysteriously vanished, until their apprehended killer led authorities to bodies buried in desert graves.
In 2001, Manuela Medina*, a former gardener, saw an opportunity in Iquique’s growing textile abundance. Relocating to Alto Hospicio, she established an unauthorized compound on government lands at the base of El Paso de la Mula, the huge sand dune at the far side of an unregulated shantytown. Every few days, she hired a fletero — a driver with a jalopy — to travel the switchback roads, out of the brown dunes of Alto Hospicio, to arrive in the colorful oceanside city of Iquique, which sits a thousand miles north of the country’s capital, Santiago.
Near the dock where cranes unload massive container ships, inside Iquique’s free trade zone, Medina ventured into the contiguous warehouses, asking secondhand clothing importers, “Do you have any garbage?”
Back at her compound, Medina unloaded her wares in piles on the ground where she had the luxury of storing them indefinitely — the Atacama Desert is one of the driest places on Earth, meaning items don’t undergo normal degradation from elements like rain. Here, Medina sold her piles to merchants and others for $10 each.
As more and more bales of ropa americana, or secondhand clothes, arrived in Iquique, the clothes flooded importers’ warehouses and overflowed vendors’ stalls in open air markets, including La Quebradilla — one of the largest open air markets in South America, located just a few miles from Medina’s unauthorized compound.
Soon, importers and secondhand merchants began to deliver surplus used clothes directly to Medina. Fed by daily truck deliveries, and then by multiple daily tractor trailer load deliveries, Medina’s pile grew.
By 2020, Medina’s gargantuan desert dump had become an open secret in Chile, stretching across dozens of acres. Others followed her model, creating mini-dumps across the desert and along roadsides, but Medina’s pile remained the largest.
On March 29, 2022, Paulin Silva, an environmental lawyer, stood before the Primer Tribunal Ambiental de Antofagasta, a regional tribunal in northern Chile that specializes in resolving environmental issues within its jurisdiction. She was presenting a lawsuit, brought on behalf of herself as a resident of Iquique, against the municipality and the federal Chilean government for their inaction over the sprawling, unregulated clothes dumps. For her submission of evidence, she asked the tribunal to join her in touring the mound of clothing.
For weeks, her informal team of supporters (a geographer, her sister, and her brother-in-law) had been documenting the problem, joking among themselves, “In which dump are we going to party tonight?”
Since obtaining her law degree, Silva has prosecuted a handful of environmental cases, but this one was personal, and she felt empowered to tackle it: “I have the education; I am a lawyer; I can do something,” she said. She’d grown up in northern Chile, a pencil thin country bordered by the Pacific Ocean. Her father is from Alto Hospicio and her mother is from Iquique. At 35, she’s several years older than Astudillo, the co-founder of the nonprofit Dress Desert, whom Silva asked to be a witness for the case. When Silva was a child, she observed people dumping clothes everywhere — the streets, yards, and city squares. Because this was the only place she knew for so much of her life, she thought, “It’s normal for people to live with … garbage accumulated around them.”
This local “clothes-blindness” was documented by Astudillo’s colleague, Bastián Barria, an engineering student and her co-founder of Dress Desert. In November 2020, he and others conducted a survey to ascertain local attitudes regarding the clothing waste. Of the almost 400 people in Alto Hospicio he surveyed, representing less than 1 percent of the town’s population, more than half did not think there was any issue.
When Silva was 18, she moved a thousand miles south, to Valparaiso in central Chile, to study law and that was where she remained until the pandemic, when she returned home. That’s when she realized the dump situation had worsened, exponentially.
During the decades between Silva’s girlhood and today, clothing production worldwide doubled, while utilization — the number of times an item of clothing is worn before it is thrown away — declined by 36 percent. Countries like Chile, Haiti, and Uganda became depositories for fast fashion discards. In 2021 alone, Chile imported more than 700,000 tons of new and used clothing — the weight equivalent of 70 Eiffel Towers.
“Even if we stopped clothing production throughout the world tonight,” said Francisca Gajardo, an Iquique-born fashion designer, “we still have more garments than we need or that the Earth can safely hold. It won’t go away nicely, and we’re not stopping today.”
Nine days after the giant fires, around 4 p.m., Silva was having a light meal, the Chilean equivalent of afternoon tea known as once (pronounced “on-say”), with her family in northern Chile. A few days prior, the Primer Tribunal Ambiental de Antofagasta had informed her it was ready to view her case evidence by touring the clothes pile in person. Silva took out her phone to share the good news on Instagram with Desierto Vestido, but before she could, she saw the images of the burning clothes Desierto Vestido had just uploaded and shared.
Silva sprang from her chair to process what was happening to the evidence in her case just a few miles away. She suspected why the court had been willing to view the landfill: “Because obviously the matter was burned,” she told Grist.
While no official cause of the fires has ever been reported, local residents claim it began late on Saturday night or in the early hours of Sunday. Days later, toxic air still clung to the area. Astudillo, who visited the site regularly, described the pile as “volcanic” — with clothes smoldering under the sand, venting smoke full of textile chemicals from synthetic materials. She warned, “You can’t be outside for long.”
In the days following the fire, on June 22, instead of leading the tour of the prosecutorial evidence, Silva filed a statement to the Primer Tribunal Ambiental de Antofagasta: “With sadness and shame I inform you that 11,000 tons of clothes in the textile dump were burned.”
Although Paulin provided the court with Dress Desert’s smartphone video recordings of the clothes in flames, the defense argued that the Instagram account where they’d posted the videos could not be verified and confirmed. Lacking a certifiable timestamp, the films were inadmissible.
One year later, in August 2023, the Primer Tribunal Ambiental de Antofagasta called a trial hearing so that all parties involved in the case — the Consejo de Defensa del Estado, the body that judicially represents the state in Chile, the municipality of Alto Hospicio, and Silva — could present evidence.
During the hearing, the Mayor at Alto Hospicio, Patricio Ferreira, said that one of his priorities is to “transform this problem into an opportunity to generate employment.” He alluded to discussions he had with European businessmen to explore initiatives related to recycling.
Silva got people to testify in her favor, activists and academics who have given statements to different media outlets about the environmental problem generated by the textile landfill in the Chilean desert. But on the day of the hearing, none of them arrived.
“At the end of the day, in practice, I am alone in this action,” she said.
Chile’s government recently voted to adopt recycling measures that make certain producers accountable for their waste. Known as the extended producer responsibility law, or REP using its Spanish acronym, the legislation passed in 2016 and took effect in January 2023. Currently, Chilean companies that make tires and packaging (such as bags, plastics, paper or cardboard, cans and glass) must comply.
Eventually, according to the Ministry of the Environment, Chile intends to incorporate clothing and textiles as a priority product into the REP law.
However, in the case of clothes, many describe the REP as a “paper solution” that lacks tangible enforcement, said Pino, from the Universidad Diego Portales.
In parallel, the Ministry of the Environment is developing a circular economy strategy for textile waste. Unlike the REP, the agency crafts public policy for the public and private sectors to prevent overproduction.
The ministry has been holding workshops and conversations to collect input from stakeholders, including academics, business executives, retailers and nonprofit leaders. It is also tabulating the results of a preliminary survey on consumer clothes-buying habits. The details of this circular economy strategy is expected to be published in March this year.
At the minister’s invitation, Pino has shared her fashion expertise — both in the markets and in the desert — with the group. “These two things are wonderful initiatives,” she said about both efforts, but she lamented that they fail to address the issue of used clothes.
A decade ago, when the REP was first being discussed, Denisse Morán, president of the Tarapacá Recyclers and the head of ServiREC, a recycling cooperative that operates within Iquique’s free trade zone, sought out her local representative to request that the law apply to both clothing producers and clothing importers.
“Oh, because you are from Iquique?” she recalled him asking her.
“Not only because I am from Iquique,” she replied, “but because we all wear clothes.”
For years, many residents in Alto Hospicio saw the piles of textiles as more of an opportunity than an eyesore or environmental threat, something that supported the local economy.
When Jazmín Yañez arrived in town from southern Chile in 2018 almost penniless and on the brink of homelessness, for example, someone gave her a few cast-off garments and household garbage — from towels, kitchen implements to furniture — to sell. Ever since, Yañez, now 28, has waged a zealous campaign to salvage, fix, and reutilize all “waste” materials. She operates an informal store from the kitchen of her house called Stop Recicla: “Your trash is my treasure,” where she sells, exchanges, and gifts items such as rugs, used clothing, school supplies, costumes, and electronics to impoverished mothers, like she once was.
It’s this trash/treasure duality that kept Astudillo and other locals from viewing the region’s booming used clothing trade as a problem. But six months before the fires, in January 2022, Nathalia Tavolieri, a Brazilian journalist, invited Astudillo to El Paso de La Mula, where she encountered Manuela Medina’s mountain for the first time.
Astudillo had seen numerous clothing dumps strewn and mounded throughout the desert, but nothing as big as this immense tangle of blouses and pants. “It was terrible,” she said, weeping as she recalled her first visit. “Maybe if I had been older, maybe I could have done more things [to stop this from happening].”
The experience galvanized her. She had already co-founded her nonprofit Dress Desert, or Desierto Vestido, two years before, to raise awareness and creatively respond to the country’s burgeoning waste clothing issue. As part of the project’s efforts, she and 20 other members host workshops and conversations. They upcycle castaway materials into new garments and craft household items. Seeing the vastness of Medina’s clothing pile, Astudillo stepped up her resolve, because “many people don’t see — or don’t want to see.”
“It was very, very hard,” she said, “to know that we live in a place that is so polluted and damaged by everyone’s waste.” Several months later, Astudillo brought Gajardo, the clothes designer and a fellow Iquiquean, to the dump, and gained an ally in her efforts. Despite growing up and shopping at the region’s numerous outdoor secondhand clothes markets, Gajardo was appalled by the scope of the waste. She developed rashes from rummaging among the fabrics.
“The fact that we have a desert, the fact that there’s a place to receive this, doesn’t mean that the place has to become the dump of the world,” she said. Since then, Gajardo’s conviction to never design clothes from virgin materials has deepened. Additionally, through her brand You Are the New Generation, she offers workshops in reusing garments, and visited Kansas City, Missouri, last year through the U.S. State Department’s Young Leaders of the Americas Initiative to teach people to make new clothes by harvesting old ones.
Other entrepreneurs have attempted to turn the clothes problem into revenue, but have faced a series of setbacks.
Franklin Zepeda is a celebrated Chilean entrepreneur who toured Europe’s textile recycling plants before returning to the region in 2013 to establish Ecofibre, now known as Procitex. (Its name is an acronym meaning Proceso Circular en Textil in Spanish).
With seed funding from CORFO, the Chilean economic development agency, and later from private capital, Zepeda was able to route textiles imported into Iquique to his plant, where they were disassembled, shredded, doused with flame retardant, and transformed into insulation panels. Zepeda got praise for this work in several major international news outlets, but he shuttered his plant in Alto Hospicio in 2021 because of unfavorable economics, including the taxes on shipping the insulation panels to other regions of the country.
Dario Blanco, manager of the ZOFRI User Association AG (AUZ), a trade association that brings together businessmen from the Iquique free zone, believes that the solution to the region’s problem of discarded clothing is out there — it will just take the right company and policies. And there are plenty of entrepreneurs, fashion designers, and environmentalists working on the issue of textile waste, both in Chile and internationally.
As Bloomberg reported in May, New York, California, Sweden, and the Netherlands are developing legislation similar to Chile’s extended producer responsibility law that went into effect this year, mandating that the fashion industry fund recycling programs via tariffs calibrated to the quantity of garments produced.
In order to help New York City uphold its existing law limiting or forbidding textiles in the waste stream, FabScrap, a nonprofit founded in 2016 by a former New York Department of Sanitation worker, receives 7,000 pounds of pre-consumer textile waste each week. Sorted by volunteers, the nonsynthetic scrap items are sent to a New Jersey facility that shreds the material, producing “shoddy,” a stuffing used to fill punching bags, sofas, and soft toys.
A Czech company called RETEX has been attempting to bring its fabric-macerating technology to Alto Hospicio. Blanco says that in exchange for securing a contract with Chile, the company promised to hire local workers. But, Blanco admitted, negotiations like these have fallen through in the past. For example, he said, a Spain-based company, Egreen, planned to open a fabric-waste processing plant, but the deal was scrapped late last year.
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